Kovcheg Woodworking builds iconostases, kyots, and the furnishings of Orthodox worship — joinery and hand carving in walnut and cherry, finished clear so the wood keeps its own quiet voice. A family workshop, working for the Church.
In Church Slavonic, a kovcheg is an ark: the vessel that carried life through the flood, the reliquary that guards what is holy, the raised bed of an icon board that shelters the image.
We take the name as our charge. Every screen, case, and stand we build is made to hold holy things — and to stand for generations in the place where the faithful pray. The work is exact where it must be and hand-worked where it should be, and it is always offered to the Church first.
From the icon screen that divides nave from altar to the small stand in a family's corner — each piece proportioned to its place and its parish.
The icon screen between nave and altar, composed in the traditional tiers and carved to the proportions of your church.
Icon cases — glazed or open, sized to a single icon or a family's corner, joined to protect and to honor.
Sloped stands for the icon of the feast and for the reader — steady, portable, and carved to match your set.
The krasny ugol for the domestic church: shelves, stands, and small screens for the place your family prays.
Crosses, tables, candle stands, and the pieces particular to your parish — designed with you from the first drawing.
Something not listed here?
If it is made of wood and serves the Church, we would be glad to talk it through.
Start a conversation →A three-tier {{ speciesLower }} iconostasis designed for a parish far to the north — its rounded arches and broad horizontal rhythm drawn to echo the mission architecture of its setting while keeping the liturgical hierarchy of the Russian tradition. Developed from hand drawing into production-ready geometry.
Kyot boxes, shelves, and stands built in small batches — available to order and ship. Each is made to the same standard as our commissioned work.
Every piece can be made in the wood and finish of your choice — ask us about a custom size, species, or carved detail.
We begin by hand, developing the elevation and liturgical arrangement with your priest and parish, then clean it into a presentation rendering and shop drawings.
CNC-ready modeling prepares repeated architectural components, joinery, and alignment features — precision that serves the carving rather than replacing it.
Traditional hand carving brings the relief and rhythm; we assemble, fit, and sand in the shop and finish clear — no stain, paint, or gilding, so the grain stays honest.
Built in modules for transport, delivered and set on site, aligned and anchored, with closeout notes for the long care of the wood.
We work most often in American black walnut and cherry, and just as readily in white oak, hard maple, ash, and sapele. Every commission is built in the species you choose — and finished the way you prefer, whether clear to let the grain speak, stained to a tone that suits your church, or gilded where the tradition calls for it. If you have a wood or a color in mind, we will match it.
Whether it is a full iconostasis or a single icon case, every commission begins with a conversation. Tell us about your parish, your space, and what you have in mind.
Your note is ready to send. We read every inquiry ourselves and will write back to talk through your commission.